African Aesthetics, Man-Beast Duality, Parody, and Satire in the Artwork of South African Artist Norman Catherine

Date of Award

2005

Document Type

Masters Research Paper

Degree Name

M.A.

Organizational Unit

School of Art and Art History, College of Arts Humanities and Social Sciences

First Advisor

Shannen Hill

Keywords

Norman Catherine 1949-, Aesthetics, African art, South African, 20th century, Apartheid in art, Parody in art, Satire in art

Publication Statement

Copyright is held by the author. Permanently suppressed.

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