Flinging the Apron and Tearing the Kerchief: Janie Crawford's Gestures in Zora Neale Hurston's Their Eyes Were Watching God
Date of Award
Tayana L. Hardin, Ph.D.
Gesture, Hurston, Performativity, Their Eyes Were Watching God
In this thesis, I argue that in her 1937 novel Their Eyes Were Watching God, Zora Neale Hurston demonstrates protagonist Janie Crawford's development through her use of gesture. As the narrative moves throughout Janie's life, she becomes progressively able to communicate her feelings and desires through the use of her body's movements. By depicting Janie's subjectivity as fundamentally embodied, Hurston indicates an awareness of the cultural oppression Janie suffers, linking her body to those of women in the past that suffered as slaves. She draws attention to Janie's body by relying on her gestures in order to emphasize the challenges Janie faces and ultimately transcends in her journey towards greater self-awareness and understanding. In addition to her novel, I also rely on Hurston's essay "Characteristics of Negro Expression" in order to show how she employs gesture as a mode of communication that can communicate as clearly as spoken language within Janie's community.
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Celley, Madeline Elizabeth, "Flinging the Apron and Tearing the Kerchief: Janie Crawford's Gestures in Zora Neale Hurston's Their Eyes Were Watching God" (2016). Electronic Theses and Dissertations. 1134.
Received from ProQuest
Madeline Elizabeth Celley
Literature, African American Studies, Gender Studies
African American Studies Commons, English Language and Literature Commons, Feminist, Gender, and Sexuality Studies Commons