Date of Award

1-1-2016

Document Type

Thesis

Degree Name

M.A.

Department

English

First Advisor

Tayana L. Hardin, Ph.D.

Second Advisor

Billy Stratton

Third Advisor

Hava Gordon

Keywords

Gesture, Hurston, Performativity, Their Eyes Were Watching God

Abstract

In this thesis, I argue that in her 1937 novel Their Eyes Were Watching God, Zora Neale Hurston demonstrates protagonist Janie Crawford's development through her use of gesture. As the narrative moves throughout Janie's life, she becomes progressively able to communicate her feelings and desires through the use of her body's movements. By depicting Janie's subjectivity as fundamentally embodied, Hurston indicates an awareness of the cultural oppression Janie suffers, linking her body to those of women in the past that suffered as slaves. She draws attention to Janie's body by relying on her gestures in order to emphasize the challenges Janie faces and ultimately transcends in her journey towards greater self-awareness and understanding. In addition to her novel, I also rely on Hurston's essay "Characteristics of Negro Expression" in order to show how she employs gesture as a mode of communication that can communicate as clearly as spoken language within Janie's community.

Publication Statement

Copyright is held by the author. User is responsible for all copyright compliance.

Provenance

Received from ProQuest

Rights holder

Madeline Elizabeth Celley

File size

74 p.

File format

application/pdf

Language

en

Discipline

Literature, African American Studies, Gender Studies



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