Title
Date of Award
6-2018
Document Type
Dissertation
Degree Name
Ph.D.
Department
English
First Advisor
Graham Foust
Keywords
Creative writing, Poetry
Abstract
I think of this book as having two presiding spirits: the concept of “strange strangeness” formulated by Timothy Morton in The Ecological Thought and anticipated, in my eyes, by Julia Kristeva in Strangers to Ourselves; and the concept of “feeling real,” specifically as presented in D.W. Winnicott’s Playing and Reality. The poems that make up A Season are caught between these two poles, such as they are, doing their best to make a life within the limbo into which they’ve fallen. The poems live in strangeness, within which they want to feel real; their drive is to reweave an intimacy between the past and the present, the “self” and its others, between the world that is and a world that’s been irrevocably lost. The project takes as its genesis a moment of crisis in which Narcissus leans over the pool and sees no reflection there. Its methods are collage, “translation,” and assemblage as “re-membrance,” and by the end I think what it aims for is the patchwork reconstruction of a face, a face in which the many sub-faces that make up any face are lovingly held up for display. A Season is a self-portrait as blank space, a self-portrait as perpetual becoming—“a house of mirrors in which every face is perpetually on its way.”
Publication Statement
Copyright is held by the author. This work may only be accessed by members of the University of Denver community. The work is provided by permission of the author for individual research purposes only and may not be further copied or distributed. User is responsible for all copyright compliance.
Recommended Citation
Walsh, Michael Joseph, "A Season" (2018). Restricted Access ETDs. 90.
https://digitalcommons.du.edu/restrictedetd/90
Provenance
Received from author
Rights holder
Michael Joseph Walsh
File size
137 pgs
Copyright date
2018
File format
application/pdf
Language
en
Discipline
Creative writing