Volume 1 (2023) Proceedings of The 21st Century Guitar Conference 2019 & 2021
Articles
Microtunings, complexity, variability: A new sound map for the guitar
Pascale Criton and Caroline Delume
Largo teso: The Seven Studies for guitar by Maurizio Pisati
Maurizio Pisati and Elena Càsoli
New sounds on the guitar
Agustín Castilla-Ávila
Classical ukulele: Redefining the ukulele
Samantha Muir
The morphological and audiative interconnectedness of sound: Equivalence in a multidimensional soundscape
Martin Vishnick
Noise Peddler: An exploration of the 21st century pedalboard
Danny Bright and Lee Westwood
Scordator: A digital map of all scordature
Paulo Vaz de Carvalho and Rui Penha
Guitars with Ambisonic Spatial Performance (GASP): An immersive guitar system
Duncan Werner, Emma Fitzmaurice, Bruce Wiggins, and Matthew Hart
Composing idiomatic music for guitar using distant reading strategies
Giovanni Albini and Matilde Oppizzi
Jorge Peixinho ‒ In Memoriam for solo guitar: A compositional and interpretative tribute
Pedro Baptista, Pedro Rodrigues, and Evgueni Zoudilkine
Notational types in scores for guitar and electronics
Belquior G. S. Marques
Marc Ribot's Exercises in Futility
Francesca Naibo
Composing for guitar orchestra: Challenges and advantages of homogeneous orchestration
Jason Noble and Steve Cowan
When Bonfá meets Villa: Creative processes in the elaboration of a guitar arrangement to Manhã de Carnaval by Luiz Bonfá (1922-2001)
José D. T. dos Santos
Formalizing the fretboardʼs phantasmic fingers
Nathan Smith
Editors
- Dr. Rita Torres, Universidade NOVA de Lisboa, Portugal
- Editor
- Amy Brandon, Dalhousie University, Canada
- Editor
- Dr. Jason Noble, Université de Moncton, Canada
- Editor