Beautiful Victims: Childhood and the Holocaust in the Work of Gottfried Helnwein
Date of Award
2010
Document Type
Masters Research Paper
Degree Name
M.A.
Organizational Unit
School of Art and Art History, College of Arts Humanities and Social Sciences
First Advisor
M. E. Warlick
Keywords
Helnwein, Criticism and interpretation, Holocaust, Jewish Holocaust 1939-1945, Holocaust in art, Influence, Children in art, Painting, Modern
Abstract
"For the past three decades, contemporary artist Gottfried Helnwein has shocked viewers with his Holocaust-related paintings, drawings and installations. Born in Austria in 1948, Helnwein witnessed the immediate aftermath of World War II in Europe from a child’s perspective. Consequently, the horrifying images summoned from Helnwein’s imagination are inspired by the memories and repercussions of this tragedy. His work addresses his parents’ unwillingness to speak of the atrocities as well as the exploitation of the Holocaust in contemporary popular media. His work questions not only how such a tragedy could have taken place, but also how contemporary perception of this event has been affected by total media saturation and the passage of time. To shock viewers, Helnwein portrays strikingly realistic images of distressed, wounded and morally ambiguous children in works that have been regarded as controversial and outspoken"
Publication Statement
Copyright is held by the author. Permanently suppressed.
Recommended Citation
Siccone Dicapo, Elizabeth, "Beautiful Victims: Childhood and the Holocaust in the Work of Gottfried Helnwein" (2010). Art and Art History: Master's Research Papers. 299.
https://digitalcommons.du.edu/art_mrp/299