Marilyn Minter in Dialogue with Post-Pornography
Date of Award
2015
Document Type
Masters Research Paper
Degree Name
M.A.
Organizational Unit
School of Art and Art History, College of Arts Humanities and Social Sciences
First Advisor
Marisa Lerer
Second Advisor
Annabeth Headrick
Third Advisor
Sarah Gjertson
Keywords
Marilyn Minter 1948, Pornography, Erotic art
Abstract
This paper analyzes post-pornographic practices – an activist and theoretical movement that recognizes pornography as valuable in understanding social, cultural, and political systems that construct and reflect identity – through the work of American artist Marilyn Minter. The analysis contextualizes post-pornography and concludes with an examination of several of Minter’s recent paintings and photographs through a postpornographic lens to assert that these examples of her work explore sexuality and gender by incorporating aesthetic and ideological references to porn and by invoking the postpornographic tenets of collaboration, disruption of public space, and the inversion of heteronormativity. Creating art with Wangechi Mutu, displaying in Times Square high definition videos of lips that slurp green goo, and painting men garbed in lingerie constitute some of Minter’s endeavors, which reenvision pornographic relationships to authorship and agency, public versus private space, and the expression or repression of fantasy.
Publication Statement
Copyright is held by the author. Permanently suppressed.
Recommended Citation
Peterson, Nina, "Marilyn Minter in Dialogue with Post-Pornography" (2015). Art and Art History: Master's Research Papers. 316.
https://digitalcommons.du.edu/art_mrp/316