Performed Acculturation at Fort Marion: A Case Study of Zotom's Drawings
Date of Award
2015
Document Type
Masters Research Paper
Degree Name
M.A.
Organizational Unit
School of Art and Art History, College of Arts Humanities and Social Sciences
First Advisor
Annette Stott
Second Advisor
Annabeth Headrick
Keywords
Zotum, Acculturation, Fortification, Florida, Saint Augustine, Pictorial works, Indian artists
Abstract
This study examines how Native American warriors imprisoned at Fort Marion in St. Augustine, Florida, between 1875 and 1878, used their drawings to perform acculturation. I use the Kiowa warrior Paul Caryl Zotom’s drawings as a case study to demonstrate how the prisoners became methodical and formulaic in their subject matter and artistic style. Euro-American visitors to Fort Marion appreciated particular drawings over others, thereby directing subject matter. Prisoners adopted European artistic standards, thus, connected with their White audience further. Zotom’s embrace of both the subject matter and artistic style that the Euro-American audience appreciated most indicates his desire to demonstrate how successful he and his fellow prisoners were at adopting the white man’s road. I argue that much of the apparent change displayed visually in Zotom’s drawings was performed rather than true acculturation.
Publication Statement
Copyright is held by the author. Permanently suppressed.
Recommended Citation
Strid, Kristin Ann, "Performed Acculturation at Fort Marion: A Case Study of Zotom's Drawings" (2015). Art and Art History: Master's Research Papers. 320.
https://digitalcommons.du.edu/art_mrp/320