Blurring the Lines: How Japanese American Internment Camps Redefined Art and Religion's Relationship
Date of Award
2012
Document Type
Masters Research Paper
Degree Name
M.A.
Organizational Unit
School of Art and Art History, College of Arts Humanities and Social Sciences
Keywords
Art and religion, Internment camps, United States, Japanese Americans, Evacuation and relocation 1942-1945
Abstract
After the Japanese bombed Pearl Harbor during WWII, anyone of Japanese descent living on the West Coast was placed in internment camps scattered throughout the country. Life inside the camps included many different activities to make life as normal as possible. This study will focus on two intersecting day-to-day activities in particular, the practice of religion within the camps, as well as the creation of art. Art created in the camps was influenced by multiple religious traditions. An analysis of artworks created by professional and amateur artists, interviews and an examination of existing scholarship demonstrates that internment camps created a unique environment for the creation of art. The values of internees reflected the seamless coexistence of Christianity, Buddhism and Shinto in internment camp art.
Publication Statement
Copyright is held by the author. Permanently suppressed.
Recommended Citation
Bueb, Kristin, "Blurring the Lines: How Japanese American Internment Camps Redefined Art and Religion's Relationship" (2012). Art and Art History: Master's Research Papers. 337.
https://digitalcommons.du.edu/art_mrp/337