Date of Award
1-1-2017
Document Type
Masters Thesis
Degree Name
M.A.
Organizational Unit
College of Arts Humanities and Social Sciences, Religious Studies
First Advisor
Carl Raschke, Ph.D.
Second Advisor
Diane Waldman
Third Advisor
Gregory Robbins
Keywords
Anti-Jewish iconography, Anti-Judaism, Anti-Semitic Propoganda, Anti-Semitism, Germany, Medieval artwork
Abstract
This study finds solace in image(s) more so than in written text(s) and the religious understanding of anti-Judaic and anti-Semitic distinction, rather than a historian's perspective. By utilizing both a religious and artistic lens, the images become the text from which the scholar(s) will study. Focusing exclusively on German image(s) and artwork, this study will span up to eight centuries, twelfth to nineteenth. A contemporary look at Medieval and later images will not explain the thoughts of those who originally saw them, but the images will raise their own set of emotions, understanding, and historical lineage, giving credence and validity to those that came after. This message cultivated a theological hatred for a group of people that was ideologically grounded in a codified religion. The images range in context and content, but all surround the idea of a central figure at the hands of the presumed enemy--the central sacrifice.
Publication Statement
Copyright is held by the author. User is responsible for all copyright compliance.
Rights Holder
Madison Elizabeth Tarleton
Provenance
Received from ProQuest
File Format
application/pdf
Language
en
File Size
81 p.
Recommended Citation
Tarleton, Madison Elizabeth, "Central Sacrifice and the Sacrificial Other: A Thematic Comparison of Anti-Judaic and Anti-Semitic Artwork Emerging in Germany" (2017). Electronic Theses and Dissertations. 1301.
https://digitalcommons.du.edu/etd/1301
Copyright date
2017
Discipline
Religious History, Art History, Judaic Studies
Included in
History of Art, Architecture, and Archaeology Commons, Jewish Studies Commons, Religion Commons