Date of Award
1-1-2017
Document Type
Masters Thesis
Degree Name
M.A.
Organizational Unit
College of Arts Humanities and Social Sciences, Anthropology
First Advisor
Esteban M. Gómez, Ph.D.
Second Advisor
Bonnie Clark
Third Advisor
Hava Gordon
Keywords
Femininity, Molly Brown, Museum, New museology, Performativity, Victorian
Abstract
Despite making up around half of the global population, women are consistently underrepresented in museums. Where women's experiences are present in exhibitions and programming, they are often misrepresented within an entrenched heteronormative and patriarchal framework. Through this thesis, I show how Denver's Molly Brown House Museum works to upset traditional narratives through their dynamic interpretation of the life of their namesake, Margaret Tobin Brown. Using new museology, feminist anthropology, and performance theory, I analyze data from staff interviews and tour participant observation to explore how the museum deconstructs popular understandings of historical femininity. Through visitor surveys, I measure the extent to which the museum is changing visitors' perceptions of womanhood in the past. By relating Mrs. Brown's experiences to those of modern-day visitors, the museum joins several other notable institutions nationwide in re-shaping the way museums represent women.
Publication Statement
Copyright is held by the author. User is responsible for all copyright compliance.
Rights Holder
Emily Starck
Provenance
Received from ProQuest
File Format
application/pdf
Language
en
File Size
212 p.
Recommended Citation
Starck, Emily J., "We Call It Pulling a Thread: Deconstructing Femininity at the Molly Brown House Museum" (2017). Electronic Theses and Dissertations. 1345.
https://digitalcommons.du.edu/etd/1345
Copyright date
2017
Discipline
Museum Studies, Women's Studies, American History
Included in
Anthropology Commons, Feminist, Gender, and Sexuality Studies Commons, Museum Studies Commons