Date of Award
1-1-2018
Document Type
Masters Thesis
Degree Name
M.A.
Organizational Unit
College of Arts Humanities and Social Sciences, Communication Studies
First Advisor
Armond R. Towns, Ph.D.
Second Advisor
Christina Foust
Third Advisor
Lynn Schofield-Clark
Keywords
Get Out, Race, Gender
Abstract
This thesis investigates the entanglements of spatialized racial-sexual violence, conceptualizations of black female subjectivity, questions of the limitations and excesses of media representations and the socioeconomic, cultural and spatiotemptoral relations that make black images visible and (im) possible as they are situated in the cinematic black political imagination. Through a materialist media analysis of the 2017 film Get Out, I argue that the film and its articulation of the afterlife of slavery fails to account for gender by tangentially engaging black women in its dissection of race and racism. I contend that black women are the absent presence in the film and a dissection of their (in) visibilities is necessary to reveal race's unresolved relationship to race and deepen the film's mediation of the connection between race, gender and representation.
Publication Statement
Copyright is held by the author. User is responsible for all copyright compliance.
Rights Holder
Daelena Tinnin
Provenance
Received from ProQuest
File Format
application/pdf
Language
en
File Size
64 p.
Recommended Citation
Tinnin, Daelena, "Whither the Gender of Get Out: A Critique of the Cinematic (Im)Possibilities of the Black Political Imagination" (2018). Electronic Theses and Dissertations. 1423.
https://digitalcommons.du.edu/etd/1423
Copyright date
2018
Discipline
Communication
Included in
Broadcast and Video Studies Commons, Gender, Race, Sexuality, and Ethnicity in Communication Commons