Date of Award
1-1-2019
Document Type
Dissertation
Degree Name
Ph.D.
Organizational Unit
College of Arts Humanities and Social Sciences, Psychology
First Advisor
Timothy D. Sweeny, Ph.D.
Keywords
Ensemble coding, Perception, Segmentation, Vision
Abstract
The visual system often integrates information that "goes together". Once information has been integrated, summary information (e.g., average emotion or average size) can be extracted; this occurs during ensemble coding. Integration thus allows for fast and efficient generalizations about sets to be made. In contrast, the visual system sometimes segments input that does not go together. For example, the perception of objects can be exaggerated away from natural category boundaries (e.g., a perfect circle is a category boundary; it is neither "flat" nor "tall"). Segmentation allows the visual system to make quick categorical distinctions. Much of the time, integration and segmentation work in parallel, and they have most often been studied in isolation. However, investigating how these two processes operate together, and potentially even conflict, was the purpose of this dissertation. I examined the ensemble coding of aspect ratio, which is a visual feature roughly equivalent to "tallness/flatness". Aspect ratio has a category boundary (e.g., a circle or square), and the perception of aspect ratio tends to be exaggerated -segmented - away from that boundary. Thus, I predicted that observers' ability to integrate aspect ratio information that spanned the category boundary would be disrupted, since in those instances, integration and segmentation would be at odds. To test this prediction, observers were asked about the average aspect ratio of a set of ellipses. In two experiments, observers were less sensitive to the mean of sets that included both tall and flat ellipses, compared to sets that only included tall or flat ellipses. A third experiment confirmed that segmentation perceptually distorted the appearance of ellipses near the category boundary away from that boundary; shapes were perceived to be more extreme than they actually were. Segmentation thus made sets that included both flat and tall ellipses appear more heterogeneous than they really were, which disrupted ensemble coding. In general, these experiments provide a deeper understanding of how the visual system summarizes large sets of information, by investigating how integration interacts with, and even conflicts with, segmentation.
Publication Statement
Copyright is held by the author. User is responsible for all copyright compliance.
Rights Holder
Elric Matthew Elias
Provenance
Received from ProQuest
File Format
application/pdf
Language
en
File Size
84 p.
Recommended Citation
Elias, Elric Matthew, "Integration and Segmentation Conflict During Ensemble Coding of Aspect Ratio" (2019). Electronic Theses and Dissertations. 1655.
https://digitalcommons.du.edu/etd/1655
Copyright date
2019
Discipline
Cognitive psychology