Date of Award
2022
Document Type
Masters Thesis
Degree Name
M.A.
Organizational Unit
College of Arts Humanities and Social Sciences, English and Literary Arts
First Advisor
Ryan D. Perry
Second Advisor
Hava Gordon
Third Advisor
Donna Beth Ellard
Keywords
Circe, Isolation, Nature, Sexuality, Where the Crawdads Sing, Witch
Abstract
In mid-20th century Anglo-American translations of The Odyssey, Odysseus is painted as a courageous, clever king while the briefly-featured Circe is portrayed as a temptress witch. This dichotomy changes, however, by the time these characters are featured in early 21st-century adaptations of Homer’s work; both released in 2018, Madeline Miller’s Circe and Delia Owens’s Where the Crawdads Sing reclaim Circe’s depiction by portraying a Circe-like character as a powerful protagonist, aware of her strengths and weaknesses. By analyzing the archetype of the witch and how it is reflective of patriarchal society’s efforts to reduce and isolate women’s power, I argue that the Anglo-American literary tradition of The Odyssey demonizes powerful women by portraying Circe as a witch to be feared. In contrast, Miller’s and Owens’s works offer an alternative Circe, one who is as a powerful woman, able to form relationships and gain knowledge outside the bounds of male-dominated society.
Publication Statement
Copyright is held by the author. User is responsible for all copyright compliance.
Rights Holder
Caroline Conroy
Provenance
Received from ProQuest
File Format
application/pdf
Language
en
File Size
66 pgs
Recommended Citation
Conroy, Caroline, "A Shift in Perspective: Temptress Witch to Realistic Woman" (2022). Electronic Theses and Dissertations. 2039.
https://digitalcommons.du.edu/etd/2039
Copyright date
2022
Discipline
Literature