Date of Award
11-2023
Document Type
Masters Thesis
Degree Name
M.A.
Organizational Unit
College of Arts Humanities and Social Sciences, Lamont School of Music
First Advisor
Kristin Taavola
Second Advisor
Mitchell Ohriner
Third Advisor
Sean Friar
Keywords
Orchestration, Spectral, Timbre, Viola
Abstract
Timbre is an elusive musical parameter that musicians, physicists, and cognitive scientists have been grappling with for centuries. While timbre can roughly be defined as an auditory attribute that distinguishes one tone color from another, this definition does not capture the complexities of sound and our perceptions thereof. Research on timbre has flourished since the 20th century, however, timbre studies has largely gone unnoticed within the viola community. This study, “A View from Within,” helps close the gap between timbre studies and viola repertoire scholarship by presenting analyses of three pieces from the 20th and 21st centuries through a timbre and orchestration lens. Utilizing my own knowledge of viola technique and performance practice as well as sinusoidal analyses, historical orchestration treatises, and music perception methodologies, I offer an original and interdisciplinary approach to music analysis while advocating for future studies of contemporary viola music.
Copyright Date
11-2023
Copyright Statement / License for Reuse
All Rights Reserved.
Publication Statement
Copyright is held by the author. User is responsible for all copyright compliance.
Rights Holder
Ash Mach
Provenance
Received from ProQuest
File Format
application/pdf
Language
English (eng)
Extent
117 pgs
File Size
16.8 MB
Recommended Citation
Mach, Ash, "A View from Within: Timbre as an Analytical Tool in Contemporary Viola Music" (2023). Electronic Theses and Dissertations. 2352.
https://digitalcommons.du.edu/etd/2352
Discipline
Music theory, Musical composition, Music history