Date of Award
Spring 6-13-2025
Document Type
Dissertation
Degree Name
Ph.D. in Teaching and Learning Sciences
Organizational Unit
Morgridge College of Education, Teaching and Learning Sciences, Curriculum and Instruction
First Advisor
Bruce Uhrmacher
Second Advisor
Paul Michalec
Third Advisor
Christine McConnell
Fourth Advisor
Krystyna Matusiak
Copyright Statement / License for Reuse

All Rights Reserved.
Keywords
Adult education, Dance, Identity, Transformative, Self-witnessing
Abstract
Using the arts-based methodology of Educational Criticism and Connoisseurship (Uhrmacher, Moroye, & Flinders, 2017) to examine the curriculum and pedagogy of a Colorado-based dance studio, this qualitative dissertation explores how transformative learning (TL) unfolds within the context of adult dance education. Grounded in Mezirow’s (1991) theory of transformative learning, the study investigates how dance becomes a medium for personal transformation, identity reconstruction, and emotional healing. Data collection included six hours of interviews with instructors and students and twelve hours of class observations, focusing on how adult learners experience curriculum not just as technical instruction, but as an embodied, relational journey toward self-discovery and growth.
Seven key themes emerged from the data: an intention to change, ritual connection, scaffolded wins, the act of witnessing, safety through fear, the act of shedding, and emergence. These themes were analyzed in conjunction with TL phases (Mezirow, 1991) and the Instructional Arc (Uhrmacher, Moroye, & Flinders, 2017) to illustrate how transformative moments are scaffolded through intentional pedagogical practices. The findings reveal that transformation often begins with a disorienting dilemma and progresses through emotional risk-taking, peer witnessing, and embodied affirmation, culminating in personal change that extends beyond the studio.
A central contribution of the study is the concept of self-witnessing, a compassionate, internal process of observing one’s own growth, as cultivated through a culture of teacher and peer witnessing. The study also highlights the unique metaphor of literal shedding that takes place in pole and aerial dance as a powerful symbol of embodied liberation and identity reclamation.
This research offers both theoretical insights and practical strategies for dance educators seeking to foster transformative environments. It suggests that when learners feel safe, seen, and supported in community, the dance classroom becomes a chrysalis, where personal metamorphosis is not only possible but intentionally nurtured. Future research is encouraged to further investigate the role of embodied learning across diverse identities, dance genres, and nonlinear models of transformation.
Copyright Date
6-2025
Publication Statement
Copyright is held by the author. User is responsible for all copyright compliance.
Rights Holder
Whitney Egstad
Provenance
Received from ProQuest
File Format
application/pdf
Language
English (eng)
Extent
137 pgs
File Size
763 KB
Recommended Citation
Egstad, Whitney, "Movement As Metamorphosis: An Examination of Transformative Learning in Dance" (2025). Electronic Theses and Dissertations. 2558.
https://digitalcommons.du.edu/etd/2558
Included in
Adult and Continuing Education Commons, Art Education Commons, Curriculum and Instruction Commons, Dance Commons