Date of Award
1-1-2013
Document Type
Masters Thesis
Degree Name
M.A.
Organizational Unit
College of Arts Humanities and Social Sciences
First Advisor
Jan Gorak, Ph.D.
Second Advisor
Adam Rovner
Third Advisor
Frederique Chevillot
Keywords
Apocalypse, Dystopia, Formalism, Margaret Atwood, Narrative structure, Utopia
Abstract
In the first two books of her MaddAdam series (a projected trilogy), Margaret Atwood explores a series of events from three very different perspectives. A close reading of the two texts suggests that the specific focalizers chosen, and their very different ways of perceiving the world around them, are central issues in the novels. In Oryx and Crake, Atwood establishes the apocalypse as a problem of dystopian vision through the book's deeply flawed focalizer. In The Year of the Flood two alternative visions are offered in order to rehabilitate the perceptual problems of the first text. In the three chapters of this paper, I will explore the devices used to establish each focalizer's specific vision, the ways in which each focalizer views apocalypse, and the relationship of each focalizer to the utopian perspective that appears poised to redeem dystopia and apocalypse.
Publication Statement
Copyright is held by the author. User is responsible for all copyright compliance.
Rights Holder
Jennifer Leora Nessel Cassidy
Provenance
Received from ProQuest
File Format
application/pdf
Language
en
File Size
109 p.
Recommended Citation
Nessel Cassidy, Jennifer Leora, "'Everything Looks Different up Close': Perception in Margaret Atwood's Oryx and Crake and The Year of the Flood" (2013). Electronic Theses and Dissertations. 474.
https://digitalcommons.du.edu/etd/474
Copyright date
2013
Discipline
Literature