Date of Award
1-1-2014
Document Type
Dissertation
Degree Name
Ph.D.
Organizational Unit
College of Arts Humanities and Social Sciences, Communication Studies
First Advisor
Bernadette M. Calafell, Ph.D.
Second Advisor
Darrin Hicks
Third Advisor
Margaret Thompson
Fourth Advisor
Richie N. Hao
Keywords
Arab Spring, Graffiti, Vernacular, Vernacular Discourse
Abstract
The Vernacular Discourse of the "Arab Spring" is a project that bridges the divide between the East and the West by offering new readings to Arab subjectivities. Through an analysis of the "Arab Spring" through the lens of vernacular discourse, it challenges the Euro-Americo-centric legacies of Orientalism in Western academia and the new wave of extremism in the Arab world by offering alternative representations of Arab bodies and subjectivities. To offer this new reading of the "Arab Spring," it explores the foundations of critical rhetoric as a theory and a practice and argues for a turn towards a critical vernacular discourse. The turn towards critical vernacular discourse is important as it urges the analyses of different artifacts produced by marginalized groups in order to understand their perspectives that have largely been foreclosed in traditional cultural studies research. Building on embodied/performative critical rhetoric, the vernacular discourses of the Arab revolutionary body examines other forms of knowledge productions that are not merely textual; more specifically, through data gathered in the Lhbib Bourguiba, Tunisia. This analysis of the political revolutionary body unveils the complexity underlining the discussion around issues of identity, agency and representation in the Middle East and North Africa, and calls for a critical study towards these issues in the region beyond the binary approach that has been practiced and applied by academics and media analysts. Hence, by analyzing vernacular discourse, this research locates a method of examining and theorizing the dialectic between agency, citizenry, and subjectivity through the study of how power structure is recreated and challenged through the use of the vernacular in revolutionary movements, as well as how marginalized groups construct their own subjectivities through the use of vernacular discourse. Therefore, highlighting the political prominence of evaluating the Arab Spring as a vernacular discourse is important in creating new ways of understanding communication in postcolonial/neocolonial settings.
Publication Statement
Copyright is held by the author. User is responsible for all copyright compliance.
Rights Holder
Fatima Zahrae Chrifi Alaoui
Provenance
Received from ProQuest
File Format
application/pdf
Language
en
File Size
146 p.
Recommended Citation
Chrifi Alaoui, Fatima Zahrae, "The Vernacular Discourse of the "Arab Spring": An Analysis of the Visual, the Embodied, and the Textual Rhetorics of the Karama Revolution" (2014). Electronic Theses and Dissertations. 967.
https://digitalcommons.du.edu/etd/967
Copyright date
2014
Discipline
Communication, Middle Eastern Studies