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Tonal-Atonal Equilibrium: Reginald Smith Brindle’s Harmony of Peace (1979) and El Polifemo de oro (1956)
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Toward a Pandiatonic Serialism: Richard Rodney Bennett’s Impromptus (1968) and Sonata (1983)
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Introduction
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Basic Pitch-Class Set Theory and Twelve-Tone Glossary
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Abstract and Acknowledgments
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Idiosyncratic Critiques of Dodecaphony: Thomas Wilson’s Three Pieces (1961) and Soliloquy (1969)
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Author Biography
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Conclusion
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