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Volume 4 (2023) A Twelve-Tone Repertory for Guitar: Julian Bream and the British Serialists, 1956–1983

Oliver Chandler

Front Matter

Cover
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Abstract and Acknowledgments
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Introduction
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Basic Pitch-Class Set Theory and Twelve-Tone Glossary
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Chapters

Tonal-Atonal Equilibrium: Reginald Smith Brindle’s Harmony of Peace (1979) and El Polifemo de oro (1956)
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Symmetry, Schoenberg, and the Musical Idea: Denis ApIvor’s Variations, Op. 29 (1958)
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Idiosyncratic Critiques of Dodecaphony: Thomas Wilson’s Three Pieces (1961) and Soliloquy (1969)
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Toward a Pandiatonic Serialism: Richard Rodney Bennett’s Impromptus (1968) and Sonata (1983)
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Conclusion
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Bibliography
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Author Biography
Oliver Chandler

A cubist painting with various musical instruments, including a guitar

Editors

Nathan Cornelius

Jonathan Leathwood

https://doi.org/10.56902/GFARM.2023.4.0