Publication Date

8-2021

Document Type

Article

Organizational Units

College of Arts Humanities and Social Sciences, History

Keywords

Nazi art looting, Art restitution, MFA&A, Monuments men, Holocaust

Abstract

In recent years, the work of the American Monuments Men has been celebrated in popular histories and culture, such as bestselling books by Robert Edsel and a feature film directed by George Clooney (The Monuments Men, 2014). While public awareness of Nazi art looting and the courageous work of American cultural officers is long overdue, these popular narratives elide the role played by women and other Western Allies and fail to address the corps’ greatest failure: the incomplete restitution of Jewish assets. This article explores these factors through a case study of British Major Anne Olivier Popham (1916–2018), who served the Monuments, Fine Arts, and Archives (MFA&A) division in Bünde from November 1945 to October 1947. Drawing on Popham’s diaries held at the Imperial War Museum in London, the author’s interview with her, and British and American archives, the case study yields important insight into personnel recruited by the MFA&A, gender relations among the officers, methodological dilemmas presented by the use of first-hand accounts, and the ongoing need for transnational restitution efforts.

Copyright Date

8-2021

Copyright Statement / License for Reuse

Creative Commons Attribution-NonCommercial-No Derivative Works 4.0 International License
This work is licensed under a Creative Commons Attribution-NonCommercial-No Derivative Works 4.0 International License.

Rights Holder

Elizabeth Campbell

Provenance

Received from author

File Format

application/pdf

Language

English (eng)

Extent

16 pgs

File Size

1.1 MB

Publication Statement

Copyright is held by the author. User is responsible for all copyright compliance.

Publication Title

International Journal of Cultural Property

Volume

28

Issue

3

First Page

409

Last Page

424

ISSN

1465-7317

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