Publication Date
2021
Document Type
Bibliography
Organizational Units
College of Arts Humanities and Social Sciences, Lamont School of Music, Musicology and Ethnomusicology
Keywords
Maria Schneider, Voice
Abstract
Since her emergence on the jazz scene, Maria Schneider has made a name for herself all around the world with her unique compositional voice. Despite her ever-increasing prominence and influence as a jazz composer, there is a startling lack of scholarly work on how she writes for her ensemble. It is my aim to begin to fill that gap by examining how she voices chords at critical moments in her pieces and juxtaposing the techniques in her earliest works, latest works, and traditional writing techniques.
Copyright Statement / License for Reuse
This work is licensed under a Creative Commons Attribution 4.0 International License.
Publication Statement
Copyright is held by the author. User is responsible for all copyright compliance.
Recommended Citation
Fradin, Aaron, "Maria Schneider’s Voicing Techniques: Annotated Bibliography" (2021). Musicology and Ethnomusicology: Student Scholarship. 109.
https://digitalcommons.du.edu/musicology_student/109