Page Number
51
Abstract
This article revisits the author’s Laws of Race/Laws of Representation: The Construction of Race and Law in Contemporary American Film, 11 Univ. Tex. Rev. of Sports and Ent. L. 219 (2010), surveying recent developments in mainstream films’ depiction of the interrelated narratives of law and race. This article applies to current film the 2010 article’s paradigm, which articulated three key narrative aspects of depictions of race and law in popular film: 1.) the raced construction of the lawyer-hero; 2.) the denial or displacement of the law’s role in constructing race and race-based discrimination; and 3.) the suppression or revision of politics and political history. Using this paradigm as a point of departure, the article examines a range of films, TV shows, and streaming series that grapple with race under law. Particular focus is paid to films created post-2020, in light of social movements like Black Lives Matter and the attendant increased public dialogue regarding racialized legal disparities in American life. Beyond displaying a mere statistical uptick of racially diverse casting, films and series of the last fifteen years reveal that popular culture can engage notions of race and its place under law in a more direct and nuanced way.
Recommended Citation
Bond, Cynthia D.
(2025)
"Representations of Law and Race Revisited: An Updated Survey of Recent American Film,"
Denver Sports & Entertainment Law Journal: Vol. 30:
Iss.
1, Article 6.
Available at:
https://digitalcommons.du.edu/selj/vol30/iss1/6