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Round the Tárrega Bend
Julian Bream

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Come, Heavy Sleep: Motive and Metaphor in Britten’s Nocturnal, opus 70
Stephen Goss

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Rules and Rhetoric: Historically Informed Guitar Performance of Baroque Music
Arash Ahmadzadeh

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Ferdinand Rebay and the Sonata Paradigm
Luiz Mantovani

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A Lost Culture of Touch and Sound: The Contribution of Visually Impaired Musicians to the Evolution of the Spanish Guitar
Marco Ramelli

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Picturing the Victorian Revival of the Guitar: The Diary of Caroline Maud Berkeley (1859–1949)
Christopher Page

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Guitar Thinking
Jonathan De Souza

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The Tradition of Illusion: Guitar Arrangement as a Post-Canonical Patchwork
Katalin Koltai

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Soundscapes, Pioneers, and Practices: Laying the Foundations of the Russian Guitar
Wojciech Gurgul

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Manjón, Llobet, and Barrios in Chile: Concerts and Reception in the Newspaper Record
Pablo Soto Hurtado