Theses/Dissertations from 2003
Celebration: A Painting by Paul Sample, Anne C. Odell
Nostalgic Decay: Joel-Peter Witkin and the Victorian Death, Katherine Conti Pool
Theses/Dissertations from 2002
The Journey from Childhood to Womanhood: Kiki Smith and Rites of Passage, Mindy Besaw
Hushed Gentility: A Discussion of William McGregor Paxton's The Figurine, Melanie Groendyke-Freeman
Zhang Huan: Art Market Fetish, Symptom, or Both?, Tyson Lewis
Beyond Child's Play: Representations of Children in the Sculpture of Mabel Landrum Torrey, Debra Malik Demosthenes
Louis I. Kahn's Two Museums at Yale, Minsoo Song
Theses/Dissertations from 2001
Eleven Wari Figurines in the Pre-Columbian Collection of the Denver Art Museum, Molly Beth Dubin
Angels of Mercy: Images of the Red Cross Nurse in the World War I Era by American Artists, Marian Granfield
At Home: The Significance of Nine Williams Street Parkway Houses in Denver, Colorado, Kathryn Shannan Kelly
The Langford Family in Their Drawing Room: An Exceptional Nineteenth-Century Portrait, Candi L. Meadows
The Others: Three Women Artists from Taos, Lucy E. Perera-Adams
Repatriation of Cultural Property: Who Really Owns the Treasures of Troy?, Judes E. Stellingwerf
Alison Saar: Between Two Worlds, Janine A. Sytsma
Theses/Dissertations from 2000
Teaching Art History to Students with Learning Differences, Evan A. Borg
A Reflection of the Victorian Age: Frederick Sandys' Morgan Le Fay, Sally Brown Dalton
The Bison's Gaze: The Mutual Gaze in Animal Art of Victorian America, Doyle Leo Buhler
From Politics to Pop: Mao Zedong's Image in Contemporary Chinese Art, Shanda Seymour Dvorak
Live and Preserved Animals in the Art of the 1990s, Viviane Le Courtois-Mitchell.
Better Living Through Cultural Engineering, Joseph Lemay Riché III.
Kathy Prendergast: A Personal Geography, Kimberly E. Manajek
Ninteenth-Century Sepulchral Architecture in Denver: The Martha T. Evans Mausoleum, Jill Ann Overlie
Adorned Identity in Aotearoa/New Zealand, Bernida Anne Webb
Theses/Dissertations from 1999
Resolving the Dichotomy Between Curators and Educators of Contemporary Art: For the Benefit of Object and Audience, DeAnn Lisa Barlow
Precolumbianism in U.S. Museums, Joseph Delci
The Last Communion and the Martyrdom of Saint Denis: A Panel Painting of the Early French Period, 1416—the Louvre, Paris, Mary Evelyn Eckford
Fragonard and Madame Du Barry, Mary Beth Kobey
Alberto Grubicy and the Second Generation Divisionists: The First Italian Modernists, Fiona Elizabeth Long
Jefferson Darrow Rubin: The Living Artist, Katharine Kunz Nanda
Sacred Architecture of Mario Botta: La Cappella di Santa Maria degli Angeli, Monte Tamaro, Switzerland (1990–1996), Beth Frye Strickland
The Subversive Duo: Interpreting the Women and Music Paintings of Thomas Wilmer Dewing, Tamara Wilde
Theses/Dissertations from 1998
Oracles, Karen Ann Andrews
In the Distance a Dog Barked (a Companion to My Graduate Thesis Show), David Jerome Babb
Michelangelo's Visual Prayers for Vittoria Colonna, Evelyn Kay Edwards
The Guitar Man in African American Art: 1934 to 1952, Jill A. Gardner Stilwell
Bellmer's "Puppe" in German Context, Susan Drury Jenson
Dante Gabriel Rossetti's Images of Jane Morris, Joo-eun Lee
Transitions and Transformations, Barbara O'Connell
"It Was a Dark and Stormy Night …", Keely Samantha Preston
Escudos de Monjas: Ensigns of Social, Economic, and Political Prestige of Religious Women in New Spain, Lauren Louise Schwartz
Mierle Laderman Ukeles: Artist-in-Residence for the New York City Sanitation Department, Rebecca Elizabeth Smith
The Masculinization of Women in World War II Advertising Art, Miriam Sternberg
Theses/Dissertations from 1997
Personal Design Methodology: Historical Data, Cultural Influences, Stylistic Transitions, and Other Influences and Technologies, Scott Allen Brayshaw
A Study of Artus Van Briggle's Paintings and Sketches, Carla Atwood Hartman
Interactive Exhibits in Art Museums, Ashley Nichols Kasprzak
Pre-Columbian Imagery in the Works of Frida Kahlo, Brian Joseph Lang
Albert Pinkham Ryder's The Race Track: Mourning for Masculinity, Kimberly MacArthur Graham
"Wonderful Realism": The Wrapped Orange Still-Life Paintings of William J. McCloskey, John Fuller McGuigan Jr.
Memory Trace: With Signs Following, Donnea Rae Medinger Sims
The Exceptional Life of Adaline DeWeese Piper, Alisa M. Sawyer
The Life of Charles F. Ramus, Michael C. S. Wienecke
Theses/Dissertations from 1996
The Travelers' Eyes: Images of Brazil Since Its Discovery, Esther Maria Alves Matheus
Cairns, Jennifer L. Chambers Neff
Ana Mendieta and Connections to Santería, Heidi Cordova-Strang
Selfless Dialogue: Pontormo's Attention in the Santa Felicita Altar and the Carmignano Visitation, Suzanne Gunn
Issues of Patronage: The Denver Civic Center Sculptures, Jacqueline Ann Prosser
Pablo Picasso: Printmakers and Process: A Catalogue of the Denver Art Museum's Collection of Picasso's Prints, J. Kent Shira
Theses/Dissertations from 1995
The Empress Josephine: Her Image and Her Patronage, Dolores C. Arrington
Cecil Jay (1881–1953): Woman Miniaturist, Courtenay P. Bailey
Thomas Moran's Children of the Mountain: Poetry in the Wilderness, Stacy Lynn Burdett
Traversing the Boundaries, Susan Q. Harrington
Leonora Carrington: A Pictorial History of New Ideas, Melinda Christine Jarvis
Manifestations of Duality, Gary Lynch
Playful Exploration, Michael Pedziwiatr
Late Prehistoric Settlement Patterns in Togeye Canyon, West-Central New Mexico, Christian William Pruchnic
Artist/Shaman: The Way of the Maker, Debra Slivka
The Symbolic Nature of Portraiture, Ben Weathers
Theses/Dissertations from 1994
Narrative Painting: My Art, My Service, Mark Elder
Eschewing Sentiment: The Survival of Art Through Iteration, Jennifer Alta Hope
Elemental, Norah Krogman
Place, Time, Light, and Space in the Photography of Lorran Meares, Lorran Meares
Seen and Unseen: Painting the Subjective World, Josef Vincent Venker
Theses/Dissertations from 1993
Sometimes I Feel More Comfortable When My Hairstyle Is Consistent with My State of Mind, Elizabeth J. Brownsberger
An Assessment of Seattle's 1% for Art Program, 1973–1993, Julie Anne Evans
Suspended Surrender, Pamela Hawkins
John Duncan, Patrick Geddes, and the Celtic Revival, Frankie Jenkins
Theses/Dissertations from 1992
Claude Monet: Images of Camille, Julia A. Smith
Theses/Dissertations from 1991
Narcissism and Image Making in a World Without Pity, David Edward Clark
Arnold Rönnebeck: An Avant-Garde Spirit in the West, Diane Price Groff
Theses/Dissertations from 1990
Grafted Images in Clay, Jayne Hademark
Winold Reiss: Painter of the Blackfeet, Caroline F. Maddox
Theses/Dissertations from 1989
Personal and Biographical Art, Mark Brasuell
Natural and Human Forms in Raku Sculpture, Heebong Chang
Connoisseurship Study of Three Paintings on Loan to the Denver Art Museum, Marcia Heit
Connections: Georgia O'Keeffe and Alfred Stieglitz, Lisa Patricia Hubp Ballinger
The Sacred Path of Art, Philip Mark Jacobson
Theses/Dissertations from 1988
A Romantic Approach to Black and White Photography, Tom Cherrey
Exhibition at the MOMA: Indian Art of the United States and Its Influence on the Abstract Expressionists, Terry L. Freeman
The Integration of Internal and External Factors in Distinctive Visual Communication, Jenifer Harms
Dagny Juell Przybyszewski: "Femme Fatale" in the Oeuvre of Edvard Munch, Katherine Kouris
Mourning Art Rendered in Stitchery, 1800–1830, Judith A. Steiner
Theses/Dissertations from 1987
Nuclear Arsenal Project/Amber Waves of Grain, Rita Goodman
Carnegie Libraries in Colorado, Marcia A. Meeker
Origins of Indonesian Batik, Mary Stone Newman
Theses/Dissertations from 1986
Thomas Moran: The East Hampton Paintings, Elizabeth B. Labrot
Interpretive Programs for Historic Houses, Pauline Todd Laffitte
From the Twilight of Painting, William Rodriguez
Human Pattern Languages of the Aspen Meadows: A Semantic Interpretation of Site and Architecture, Elizabeth P. Seibert
Works by Sharon Sigurdson: The Synthesization of Japanese Artistic Operatives and California Sensibilities, Sharon Lynn Sigurdson
The Folktale Transformed, Michael Stano