Theses/Dissertations from 1985
Thought Patterns: Female Language in the Visual Arts, Jennifer M. Huebner
Inlay Technique of Koryo Celadon, Minsoon Koong
From Ragdoll to Stick Figure, Cathleen M. Onstad
Painting as Painting, Patricia Ann Sheller
Theses/Dissertations from 1984
Landscape and Recent Abstract Paintings, Johnye Abeyta-Nielson
In Search of a Personal Vision, Linda Sue Alterwitz
Frank Stella's Prints: How They Stack Up, Frances M. Brousseau
A Sense of Place, Suzanne Manke Cahill
John Heartfield, the Photomonteur: The Origin, History, and Perception of Photomontage, Lisbeth deNeergaard Kohloff
Art as Record, Kay D. Galvan
A Structuralist Approach to Meaning, Anne Owens Haley
Art as a Social Catalyst, Geoffrey Bruce Lasko
The Influence of Native American Art on Four Contemporary Artists: Joe Powell, Doug Cranmer, R. Lee White, and Paul Pletka, Marjorie B. Miller
My Present Understanding of the World and Its Manifestation in My Art, William Jude Rumley
Theses/Dissertations from 1983
Metamorphosis: From Goats to Camels, Barbara Beatty de Aldrete
Frank Howell's Lithography: Poetic Visions, Kyle Belding
A Portrait of the Scholar, Kay E. Black
History of Shark's Lithography Ltd., Patricia Ann Cronin
Research Component for a Children's Guide to the Denver Art Museum, Jo Duranceau-Cannon
Michael Heizer's Nevada Sculptures: A Study of Earthworks, Patricia A. Fairchild
Thomas Moran's Depictions of the Mountain of the Holy Cross, Ann Elizabeth James
Ka-Na-Da-Ra: Jung Sun Lee's Painting, Jung Sun Lee
Imagery in Clay: A Personal Perspective, Michael J. Parry
Tradition and the American Potter, Galynn Ecton Tagg
Theses/Dissertations from 1982
Marks and Performance, Susana Amundarain-Briceno
A Comparison of Elements in Chess and Art, Allen Craig Bishop
Stability, Kurt L. Bonello
New Data from Old Masters: An Evaluation of Educational Programs Offered in Conjunction with the Exhibition "Old Master Paintings from the Collection of Baron Thyssen-Bornemisza", Daryl Koropp Fischer
Saggar Firing and Forms, Kathryn Alice Holt
Herbert Bayer: Visual Expression of Institutional Values, Jerry Allen Schefcik
Color in Unglazed Ceramics: Low Fire, Donna Schnitzer
The Transformative Potential of la Joie de vivre in Painting, Andrea Smith
Ch'ing Dynasty Court Costumes (1664–1912), Jean Strickland Wilson
Theses/Dissertations from 1981
Iconography of the Madonna in Contemplation, Laura Ellen Callier
A Picnic for Two: A Study of the Male and Female in Art, Judith A. Coons
Management and Photography for the Small Slide Library, Peter Anthony Dulan Jr.
Roots of Clay: Search for Contemporary Context, Robert W. Harrison
Albert Bierstadt's Weeping Oaks, Clear Creek, California (1880): A Painting in the Collection of the University of Denver, Diane Wetmore Kotowski
Scale in Contemporary Art, Carolyn Reid
Three Scenes of Ville-d'Avary by Corot: A Study in Structure, Margaret H. Ritchie
The Effects of a Selected Art History Curriculum on the Aesthetic Preference, Art Knowledge, and Art Products of Second Grade and Fifth and Sixth Grade Children, Mary J. Utiger Hedlund
Theses/Dissertations from 1980
Masterpiecis, Jacquelyn Ann Boe
Clay and the Creative Process in Junior High, Barbara J. Kaplysh
Five Corporations: A Study of Corporate Patronage of Art in Denver, Gary L. Mullenix
Non-Propaganda Photography: August Sander and the Alva P.O.W. Photographs, Paul Christian Schroder
The Imagism of Jasper Johns, Suzanne M. Singletary
Chancay Three-Dimensional Weaving: The Tree Motif, Diane P. Wendt
Theses/Dissertations from 1979
New Deal Art Works in Colorado, Kansas, and Nebraska, Ronald Irvin Bruner
Explorations in Search of the Contemplative Sculptural Object, Carolyn J. Grimes
The Depiction of Women in Japanese Prints from the Seventeenth Century to the Twentieth Century, Julia Miller
Longfellow's Hiawatha as a Source of Inspiration for American Artists, 1855–1890, Cynthia D. Nickerson
Raku: A Historical, Technical, and Personal View, Jonathan Roylance
The Aesthetics of Aircraft Design, William Sprague Tilton
Theses/Dissertations from 1978
Experimentation with Commercial Underglazes at Various Temperatures, Beverly Ann Chalmers
The Circular Form Within the Fine Arts, LeRoy K. Deneen
Beyond Literalism: The Art of Joan E. Kaiser, Joan E. Kaiser
The Recent Paintings of Barbara B. Kowalski: Their Influences and Direction, Barbara B. Kowalski
Cemeteries as a Source of Photographic Imagery, James Oliver Milmoe
Repetition in Contemporary Sublime Art, Susan Planalp
Comparison of Styles, Jonathan P. Rosen
The Psychology of Creativity: Applications to Teaching of the Visual Arts, Wesley Alan Wada
Theses/Dissertations from 1977
The Studio Electric Kiln: Application, Design, and Construction, Carrie MacLennan Bruno
The History and Process of Raku and an Investigation into the Development of the Imagery of Adrienne Diner, Adrienne Diner
African Influence on Afro-American Sculptors, Edward J. Dwight
A Search for a More Powerful Means of Communication: An Evolution away from Painting, Genevieve Sue Freeman
The Design and Construction of a Cone 10 Stoneware Kiln, Duncan Gonzalez
St. John's Episcopal Cathedral, Denver, Colorado, Catherine Handler
A Comparative Study of the Use of Chance in the Works of Jean Arp and Carol Maus, Carol J. Maus
The Influence of Chinese and Japanese Calligraphy on Mark Tobey (1890–1976), Min-chih Yao Sailey
Psychosexual Explorations of Richard Lindner's Iconography, Christy Standen Sebastian
A Mirror Tradition in Pre-Columbian Art, Joyce R. Strauss
Theses/Dissertations from 1976
Fernando Gallego and the Altarpiece of Juan de Mella: A Problem in Art Historical Methodology, Marlene Chambers
The Masks of the Arroyo Pesquero, Thomas Roderick Dew
Continuous Parts of a Concept, Janis Leslie Diner
Graffiti: Subjective Experience and Effect, Elwood Paul Glaser
Contemporary Drawing in Colorado, Kate Hendrickson
A Discussion of Alternative Critical Approaches to Contemporary Art, Walter Impert
Laura Gilpin: Her Life and Her Work, Ellen C. Jeffers
Today's Printmaker, Betsy Margolius
An Awareness of the Interior: Developments in the Ceramic Sculpture of Sue Mullins, Sue Ann Mullins
The Pinhole Camera: An Innovation in Classroom Photography, Roberta Martin Norman
A Comparison of War-Theme Graphics by Käthe Kollowitz and Henry Moore, Deborah Scripps
Stowe in Context: The Two Nudes, Bruce Stowe
An Exploration of Costume Design in China and India and Its Relationship to the Sexual Roles, Attitudes, and Symbols of Those Countries, Karen Margaret Tepley
A Catalogue of the Steinberg Collection: Twentieth Century Painting, Sculpture, and Original Graphics, Patrick Burke Veerkamp
Robert Rauschenberg and Kōshirō Onchi: A Study of the Twentieth-Century Revival of Lithography and Woodblock Prints, Margery H. Ziffrin
Theses/Dissertations from 1975
The Puerto Rican Print, Karen Marie Ackerbloom
The Life of a Painter by Gino Severini: Translated and with an Introduction, Rebecca R. Akins
A Summer Children's Program for the Denver Art Museum, Jane Mildred Comstock
The Wiener Werkstätte, 1903–1932: Three Decades of Arts and Crafts in Vienna, Elsa Christian Von Briesen
Theses/Dissertations from 1974
Modern European Masters of the Hanley Collection, the Denver Art Museum: Twenty Paintings and Drawing, Gwen Finkel Chanzit
The Implications and Manifestations of Humor in the Work of Barbara Guzofsky, Barbara Ruth Guzofsky
Comparative Analysis of Three Representational Painters: Leslie, Close, Habib, Paula Marie Habib
Oeuvre, Anthony Martin
The American Portrait Tradition: Cephas Thompson 1775–1856, Sherry C. Perschbacher
Changing: A Continuum?, Susan Marie Rehschuh
A Creative Trinity, Joel C. Sheesley
Influences of Psychological and Experiential Processes in Paintings of Sheila Sobol, Sheila Sobol
Landscape and Other Environmental Factors as They Relate to the Imagery in the Paintings of Deborah Sprenger, Deborah Kay Sprenger
Fourteenth- and Fifteenth-Century Sienese Paintings in the Guggenheim Collection of the Denver Art Museum, Kristi Ann Wormhoudt