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Soundboard Scholar
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Home > SBS > Vol. 4 (2018)

 

Volume 4 (2018)

Front Matter

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Soundboard Scholar no. 4 (Complete)

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Soundboard Scholar no. 4: Cover

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Soundboard Scholar no. 4: Editor's Letter
Thomas Heck

Articles

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The Guitarist behind La Guitaromanie : Charles de Marescot
Damián Martín-Gil

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A Checklist of Works Attributed to Charles de Marescot
Damián Martín-Gil

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Barthélemy Trille Labarre: Professeur de Guitare et Compositeur, Élève d’Haydn
Kenneth Sparr

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Dating Trille Labarre’s Nouvelle méthode: Caught Between Printing and Publishing?
Kenneth Sparr

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Featured Facsimile: Two Arrangements for Five-Course Guitar from La Muse lyrique (1787), the First by Trille Labarre
Barthélemy Trille Labarre

Print Reviews

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España de la Guerra, by Brian Jeffery
Richard M. Long

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Un angelo senza paradiso, by Nicoletta Confalone
Richard M. Long

Media Reviews

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New Chamber Music with Guitar: The Aleph Gitarrenquartett, Gubaidulina, and Plucking
Nathan Cornelius

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Alfabeto Falso (Vallerotondo, I Bassifondi)
Ellwood Colahan

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François Campion: Music for Baroque Guitar (Hofstötte)
Ellwood Colahan

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Ma Guiterre je te chante: 16th Century Guitar Solos and Chansons (Nelson, Bartram)
Ellwood Colahan

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Men, Women and Guitars in Romantic England (Page)
Ellwood Colahan

Two gangs of guitarists in a scrum with their guitars as weapons.
 
 
 
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ISSN: 2380-2235

 
 
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