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Volume 10 (2025)

By Invitation

Things as They Are: Transcribing and Arranging; Continua, Intertext, Alchemy
Stanley Yates

Round the Tárrega Bend
Julian Bream

Articles

Picturing the Victorian Revival of the Guitar: The Diary of Caroline Maud Berkeley (1859–1949)
Christopher Page

Ferdinand Rebay and the Sonata Paradigm
Luiz Mantovani

A Lost Culture of Touch and Sound: The Contribution of Visually Impaired Musicians to the Evolution of the Spanish Guitar
Marco Ramelli

Translation Series

Manjón, Llobet, and Barrios in Chile: Concerts and Reception in the Newspaper Record
Pablo Soto Hurtado

From the Archive

Come, Heavy Sleep: Motive and Metaphor in Britten’s Nocturnal, opus 70
Stephen Goss

Print Reviews

In Search of a Granada School of Lutherie
James Westbrook

Putting It Together, Bit by Bit: Partimenti for Guitarists
James Renwick

Soundscapes, Pioneers, and Practices: Laying the Foundations of the Russian Guitar
Wojciech Gurgul

Rules and Rhetoric: Historically Informed Guitar Performance of Baroque Music
Arash Ahmadzadeh

News

8th Lake Constance Guitar Research Conference
Soundboard Scholar and Daniel Marx

Cover art